Looking for Information on these dolls...

As a special favor to ask of my followers, especially those that are miniature collectors. I recently purchased these teeny 1 1/2" dolls they are all bisque, fully jointed and they are all dressed in crocheted wedding costumes. If anybody can give me some background on them . I would really appreciate it!

Bisous

Marta

Florodora Girls: Pretty maidens all in a row.

What is a Florodora...?


“Florodora, a small island in the Philippines). Here is manufactured the popular fragrance "Florodora," made from the essence of the Florodora flower. (Florodora first act opening lines.)
In the history of American Musical Theater, the show Florodora was an important link in establishing Broadway's Great White Way at the turn of this century. It originally opened in London in 1899 and moved to New York in 1900 and ran 552 performances.

Florodora sextet 1900's New York production

A good part of the success of the musical was attributed to its lovely sextet of chorines called "the English Girls", but soon popularly dubbed the "Florodora Girls". Young male admirers would showered them with gifts, hoping to persuade many to leave the show to marry them. They were the predecessors of the Zigfield Follies who followed in their heels and also became the objects of popular adoration.

The Girl on the Red Velvet Swing


One Florodora dancer, a mere girl of sixteen, attracted the attentions of the famous architect Stanford White. “ In his towering Madison Square Garden flat, he would place young Evelyn Nesbit on a red velvet swing and watch her glide through the air.

Evelyn Nesbit : The Original Gibson Girl" sketched by Charles Dana Gibson "The Eternal Question"

As Nesbit later described the room, the most eye-catching feature was "a gorgeous swing with red velvet ropes, set high in the ceiling at one end of the studio." Evelyn would ride the swing many times…

Evelyn Nesbit ca. 1900

John Barrymore

Her involvement with White continued, but also during this period, Evelyn was courted by a young struggling actor named John Barrymore after her affair to White ended.
Eventually tiring out of Barrymore, Evelyn accepted a marriage proposal from the son of a railroad baron, Harry Kendall Thaw, who became increasingly jealous of Nesbit past flings, and was especially sensitive about her relationship with White.

On June 25 1906, as fate would have it, Harry spotted in the audience at Madison Square Gardens. During the performance Thaw fired three shots at close range into White's face, killing him. Thaw was found innocent by pleading insanity, and Evelyn testified on his defense hoping she would be compensated with a divorce and one million dollars. The divorced was granted, but no money!

Evelyn Nesbit ca. 1902 National Museum of American History, Rudolph Eickenmeyer Jr.

After the trial, Evelyn Nesbit Thaw's career took a slow decline, largely due to suicide attempts, alcoholism, and an addiction to morphine.
She eventually died in a nursing home in Santa Monica, California, at age 82. In her later years, she served as a technical consultant to a 1955 movie about the White shooting, "The Girl in the Red Velvet Swing,"

Many future stars started out chorus girls, Just to name a few: Norma Shearer (in 1919), Joan Crawford (in 1924), Gypsy Rose Lee (in 1927), and Lucille Ball (in 1931),
The survivors of the Chorus lines of the last century are The Rockettes of Radio City Music Hall..

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The Dolls of Armand Marseille; One of the largest and most prolific German doll manufacturer. On the following two images, is a small sample of his creations. However on this post, we will only reference the Florodora Dolls to keep with our story, as it is believed they were named for the famous choristas of the times.

A.M. Googlies displayed with antique farm animals. Courtesy of Nancy Maiarana NFADC

Armand Marseille established his porcelain factory in 1855 in Thuringia , Germany. In spite of his French name he was one of the most prolific German bisque doll manufacturers. His dolls were displayed at the St. Louis Exposition where he was awarded a Grand Prize. Although he is known for some fine, baby dolls like “My Dream Baby”, the impish “Just Me” and exquisite and the rare character children one usually associates, with Kammer & Reinhardt; his call to fame with the great majority were the child dolls, like Queen Louise, and the beautiful dolly face Florodoras. Dolls: courtesy of Joan Ratzel NFADC.

From the collection of Joanie Harter: The image of a lovely and serene looking girl.

A very sweet #370 dressed as a peddler. Courtesy of Gloria Kimmell .

When Armand Marseille died of heart failure in 1920, he left the run of the company to his son, but although production finally stopped by the end of 1928, his dolls were still sold by the warehouses for many years after.

What is a Florodora Doll...

This beautiful Florodora with fur eyebrows is from the collection of Carol Hellewell...

Florodoras came in different shapes and sizes ranging from 10” to 42” tall. Earlier ones dating to early 20th century + had kid or cloth body, bisque shoulder head, wore wigs, had glass eyes and a slightly smiling mouth. Some even had fur eyebrows.

From my collection #370 shoulderhead on a kid body.

Dolls courtesy of Joanie Harter: Beautiful blonde Florodora, with gorgeous brown glass eyes, wearing a sweet lawn dress with ribbon insets. Her friend, an unmarked charming doll possibly made for the French market.

The #370 and #390 are the more popular mold numbers on these dolls: The #370 for shoulder heads on a kid body and #390 for socket heads, on a composition body. Although you can find Florodoras with many different numbers but the molds are very similar.

The trademarks for the dolls were registerd by Borgfedlt in Germany. They are usually marked in back of the head with “Made in Germany Florodora A 2M”; “Florodora A.M. 5 1/2 DRP made in Germany”; etc. In 1903 the trademark was changed with a daisy in the center.

The beautiful petite 12", #390 Florodora on these three images is from Don Barnes collection. She is all original on a rare, nine part compo body original shoes and dress.

Notice the rare nine part compo body.

Later Florodoras, possibly after 1909, were bisque with a socket head; wood or composition jointed body and some models had “Stick legs”. Note that many of the dolls are marked with

A M instead of Armand Marseille.

From my collection; two # 370 Florodoras..shoulder heads on kid body. Dolls dresses were lovingly made by Nancy Maiarana with antique cloth materials and designed according to the style of period.

Like most German made dolls, Florodoras were often not as elegant as their French counterparts, but most importantly, they were affordable. Most middle class families, were able to procure them for their little girls to play, love and cherish, not just to admire from a distance… and they were well made and beautiful.

Courtesy of Doris Irene Jackson. Gorgeous brown eyes, apple cheeks, exquisite china painting, a perfect example of a beautiful Armand Marseille doll. Doll is wearing a beautiful dress of green silk and antique lace, with two buttons resembling gold an green marbles adorning the lace collar.

Final thoughts....

Armand Marseille made the Florodora doll heads from 1901 through to the early 1920s .

The musical "Florodora" opened on Broadway in November 1900 after having run for more than 400 performances in London.

The Armand Marseille 390 doll is sometimes called the “Florodora,” probably after the name of that famous chorus line from the turn-of-the-20th-century. “The Florodora Girls”

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Bibliography:
My deepest thanks to my good friends from “The Antique Doll Collector’s Club” from FB, that so graciously allowed me to use photos of their beautiful Florodora dolls.

Also my fellow members at Niagara Frontier Antique Doll Club, for letting me photograph their wonderful dolls.

From the Land of the Setting Sun

For two centuries, Japanese ports were closed to all but a few Dutch and Chinese traders that were allowed to trade at Nagasaki. The United States hoped Japan would agree to open certain ports so American vessels could begin to trade with the mysterious island kingdom. On March 31 1854 representatives of Japan and the United States signed a historic treaty, which opened that country to trade with the West.

Ichimatsu Nyngio boy and girl...from Alan Scott Pate

There is a rich history of Japanese traditional dolls dating back to (8000-200 BC) . By the eleventh century dolls were used as playthings as well as for protection and in religious ceremonies. Doll collectors are in general familiar with dolls dating from over the last 300 years or so primarily from Europe. However, Japanese dolls existed before Europe was even Europe. The word for doll in Japan is ningyo or "man form" stemming from the use of the doll to represent man.It was not only a doll to be played with, but it represented the traditions of the country in girls, and the brave war-like traditions in boys.

Japanese Culture began with the Joman period (12000-250 BC) An ended with the Meiji period (1868-1912. We are only focusing on the dollmaking part of the history. So this post will focus on just one of the in between periods; The Edo period, (1612-1858) also called the Tokugawa period, marking the governance of the Edo or shogunate. It is also the time of an explosion of culture and technologies and the golden age of the Japanese doll. The period ended with the Meiji Restoration of imperial rule by the last shogun Tokugawa Yoshinobu:

Just like the European dolls, Japanese dolls began as fetishes substituting for the human form. They both shared and spread cultural and artistic progression, and have faced controversy in their cultures: (Barbie girl image), Japan’s Boys day and WWII. Neither caused the problem but took the heat for it. They are both dated for their materials, craftsmanship, and finally they influenced the development of the other.

They were crafted from materials available to the area. The Japanese archipelago was rich in such woods as cypress, nutmeg, sandalwood, etc. Initially wood or cloth were used for the construction of dolls, also Papier mache appeared as early as the 17th century.

But a very fine composition losely resembling porcelain, was given to many dolls as a pigment, and as a covering with a lustruous sheen; This was known as gofum, and consisted of crushed oyster shells, animal based glue and water, the light quality of the medium allows the molding of such fine detailing, resulting in the realistic expressions unique of the Japanese doll.

The main differences on these dolls, besides their outward appearance and facial features; is that European dolls, are classified based upon the material used in manufacturing,.eg: papier-mâché, china, bisque. Japanese dolls are classified upon what the doll represents, as they were all similarly constructed from Gofun covered papier mache or wood.

Woman at spinning wheel

(from Antique Japanese Folk Textiles)

Textiles supported the structure of the dolls as well as for clothing. Stiff brocade fabric often supported the body, while silk covered the wood structure as well as the joints for those dolls with joints. Preferred textiles for the clothing was silk and silk weaves, such as, satin, gauze,velvet etc. However, Japanese culture was very structured. Much as specific plaids were used for specific clans in Scotland, particular types and weaves of cloth were reserved for specific classes. Because of this, the Japanese ruling classes limited what colors or textiles could be used by various groups in society.

The principal types of Japanese dolls are : Hina, Gosho, Musha, and Isho.

Hina:
The Japanese Doll Festival , Hina-matsuri, or Girls' Day, is held on March 3. Platforms covered with a red carpet are used to display a set of ornamental dolls hina-ningyō representing the Emperor, Empress, attendants, and musicians in traditional court dress.

Emperor and Empress form the top platform of a Hina doll display.

(file from Wikimedia Commons author… Nesnad.)

This is a Hina doll set photographed at a Japan Festival in Kansas City.

(author: Michaelbuddy copy from en.wikipedia)

Formerly, people believed the dolls possessed the power to contain bad spirits The origin is traced to an ancient Japanese custom called hina-nagashi ( "doll floating"), in which straw hina dolls are set afloat on a boat and sent down a river to the sea, supposedly taking troubles or bad spirits with them.

Traditional Paper dolls For Girl's Day display.

(Courtesy of Alan Pate)

The Shimogamo Shrine in Kyoto celebrates the Nagashibina by floating these dolls in the river to pray for the safety of children. People have stopped doing this now because of fishermen catching the dolls in their nets. They now send them out to sea, and when the spectators are gone they take the boats out of the water and bring them back to the temple and burn them.
Families generally start to display the dolls in February,

and take them down immediately afterthe festival.

Superstition says that leaving the dolls past March 4 will result in a late marriage for the daughter.

Gwen John (1876 - 1939)
National Museum, Cardiff circa 1927

Painting depicts the interior of the artist's studio in rue Terre Neuve, Meudon, Paris. The doll, dressed in a red and blue kimono-style garment, is seated against an open box in the centre of a table top. Still-lifes situated in simple interiors such as this are central to the artist's later oeuvre. This painting is one of two known versions of the composition.

Gosho Nyngio:

Term gosho literally means "palace," and it is amidst the imperial court of 18th-century Japan that we must first look to find their origin.

Gosho Nyngios are my favorite, and you can see why these chubby dolls are so irresistible.

These examples Gosho Nyngio are courtesy of Alan Scott Pate

During the Edo period (1615-1868), it was part of official protocol for military lords (daimyo) to pay respect to the emperor in Kyoto, bringing with them an impressive array of gifts. An itemized list of this tribute (mokuroku) was presented to the emperor, and, in acknowledgment, a doll was given to these powerful military lords. By the mid 1700's this type of doll became somewhat codified, typically depicting a corpulent male child of three years of age, either naked or with a small haragake
bib, frequently holding an auspicious object conveying wishes for health, longevity, prosperity, martial success, or enhanced fertility These dolls are now generally referred to as gosho-ningyô or palace dolls. from Alan Pate "Antique Japanese Dolls"

Musha Nyngio:

The Japanese samurai, wielding a curved edge sword, executing astonishing feats of endurance and agility, has captured the Western imagination since Japan first opened its doors to the West in the mid 1800’s.

Musha Ningyô or warrior doll are very popular among Western collectors. Embodying the martial spirit of the samurai, these figures are decked out in full military regalia with lacquered armor, swords, arrows, bows, and other assorted weapons. They frequently represent very specific historical characters and are a fascinating window into Japan’s rich military past. ( from Alan Scott Pate )

Fish-shaped banners flying outside of people's houses, it would mean it is getting close to the May 5th festival. Families with sons all over Japan traditionally wish for the boys' health and prosperity by hoisting carp-shaped windsocks outside. This fish, the carp, is said to swim upstream, and its heroic persistence makes it a traditional symbol and ideal for a boy. The celebrations may also include setting out warrior dolls, representing legendary Japanese heroes, and warlike ornaments inside the houses; 200 years ago the display might have been of real weapons and visible from the street.

(Excerpt from Judy Shoaf "Boy's Day Dolls, Musha -Nyngio")

Fashion Dolls

"Japanese Doll with Fan"... painting by Dan Beck

Isho Ningyo:
The "fashion doll" or ishô-ningyô is perhaps the most diverse and layered of the many categories of Japanese dolls.

Originally depicting beautiful women (bijin-ningyô) and popular actors, they emerged in the latter part of the 17th century in Kyoto. Celebrated for their spectacular costuming, this form evolved to encompass many other types including the hyper-realistic iki-ningyô (living doll), talismanic dolls known as hôsô-ningyô, and a myriad of other figures depicting nearly every facet of Japanese society. (Alan Pate Antique Japanese Dolls )

French ca.1930's "Fish" (unknown)

Wooden Kokeshi :

Are dolls that have no arms or legs, but a large head and cylindrical body, representing little girls or/and boys.

Kokeshi Doll from my own collection.

Dating back to the early 19th century and originally from northern Japan. They may have had a spiritual significance representing a wish for a healthy child. They are handmade from wood, have a simple trunk and an enlarged head with a few thin, painted lines to define the face. The body has a floral design painted in red, black, and sometimes yellow, and covered with a layer of wax. The bottom is marked with the signature of the artist.

Courtesans

Mitsuore Oiran Courtesan, Edo Period 19th Century, 15" tall.

Hannig Collection...(From Alan Scott Pate, "Early Japanese Play Dolls)

Geisha:

The meaning of the word in English is “artist” or “performing artist”. These beautiful women are traditional entertainers who perform various Japanese arts such as classical music and dance. A Maiko (or apprentice Geisha) wears the white make up and traditional Kimonos that we identify with the Geisha (“maiko” means “dance child”), and they are usually very young, 18 or younger. A geisha does not have to start out as a maiko, if she has the opportunity to enter the community as a full geisha. However, those who do go through the maiko stage can enjoy more prestige later in their professional lives.

Isho Ningyô depicting an Oiran courtesan Edo Period, 18th Century, 15" tall

Hannig Collection (From Alan Scott Pate, "Early Japanese Play Dolls")

Movie poster for 1953 Japanese movie A Geisha, Gion Bayash.ca. 1953.

Metropolitan Museum of Art

Geisha with samisen Sakura Dolls of Japan (Abston & Uchioke, 1963).

Courtesy of Judy Shoaf.

Tokyo Geisha with Shamisen ca. 1870s

"Strange, exotic dolls amongst the treasures of the expedition"

When In 1853-56, United States naval office Commodore Matthew Perry led a U.S. naval expedition to force Japan to begin trading with America–and the rest of the world, one of the items he brought back was a pair of Japanese Ichimatsu dolls.

Rare Ichimatsu boy courtesy of Alan Pate

Ichimatsu-ningyô :

Is what the Western world conceives as a Japanese play doll and they were given to little Japanese girls to hug. Originally this was an actor’s doll , even its name was a popular actor’s name. These dolls were sometimes given to newlyweds as gifts to procure for a healthy child.

From my collection: Ichimatsu boy, Motchmann type.

Notice the wonderful detail on his face, heavily molded lips and exotic almond eyes.

Same boy from my collection: Notice the Motchmann type body.

He is made from papier mache and cloth, there is a voice box mechanism in his torso that works.

A wonderful wardrobe is been made especially for him by my dear friend Joan Malone.

"I had an opportunity to see these two (survivors of a group of 13) dolls brought back by Commodore Perry, as part of a special visit to the Smithsonian storage complex arranged during the 1999 J.A.D.E. Convention. They are about 10" tall and are in poor condition, but the gofun lacquer is still beautiful. They are illustrated in Artifacts of Diplomacy by Chang-Su Houchins, Smithsonian contributions to Anthropology 37 (1995), p. 129; the description on p. 128 clarifies that they were part of a group of dolls given to the expedition by Izawa Mimasaka-no-kami in 1854; the dolls were noted as "naked dolls" in the Japanese records" (Courtesy of Judy Shoaf )

Motchmann -type doll made in Germany.

Notice the "floating hands and feet" allowing turning at the wrist and ankles.
These dolls were modelled after the Ichimatsu dolls brought by Perry.

Western girl with collective dolls.. notice the Ichimatsu held foremost in her arms.

Courtesy of Judy Shoaf

Already, however, at about the same time as Perry's expeditions, at least one Japanese play doll had found its way to Germany, perhaps through a Dutch trader. A German exporter from Sonneberg saw such a doll-- --and commissioned a sculptor to create the prototype of a European doll based on this Japanese doll. The result was a style of doll called the "Motschmann-type" or Taufling doll. We can infer that the Japanese model was a flesh-colored baby with glass eyes, cloth joints, and a device in the belly to produce a "ma-ma" sound when squeezed. It would have been a much poorer quality than the elegant dolls brought back by Commander Perry, but it introduced into the Western doll world some new ideas. Excerpt from Judy Shoaf “How Japanese Dolls came to Europe and America”

Picture from an 1874 French book of a child with an Ichimatsu.

(Courtesy of Judy Shoaf.)

Little Girl with a Japanese Doll
Artist: Cassatt, Mary Stevenson (American 1845-1926) Impressionist Painter

In a contemporary lithograph a little girl of the late 1890’s wanders through a toy store.

The picture is full of information but we notice particularly that the Oriental doll is now an authentic Japanese import, and that real Japanese lanterns decorate the store.

( From Kit Robbins collection)

These probably date from 1890-1910. (grp of dolls Ichimatsus ) Judy Shoaf's collection.


John Haberle ca. 1891

"Starting in the 1870s, the Japanese themselves exported many of their own ichimatsu dolls to America and Europe. Judging from the materials, the European market was more likely to get deluxe dolls, while a cheaper type of doll, but still very charming, was common in the US. familiar enough to be introduced in advertising and magazine illustration, comic postcards, children's books, and so on." Excerpt from Judy Shoaf's site.

From my collection Ichimatsu boy doll lovingly dressed by Joan Malone,

and Ichimatsu girl with gorgeous face and original silk kimono.

Ichimatsu boy and girl,

With friend "Patsy" decked out as a Chinese girl, and steiff bull dog.

From my collection.

"The Friendship Doll" courtesy of Alan Scott Pate.

In 1927, 58 Ichimatsu dolls were sent to the US from Japan as a gift of friendship. Before and during World War II, most of these Japanese Friendship Dolls were stored away so as not to offend Americans that did not want to be reminded of a country that was the enemy.
Consequently, time, and neglect has taken its toll on these treasures,and others have been misplaced. However there is an effort to locate each of the special 1927 Envoy Dolls (12 are still missing) and to insure that each of the surviving dolls is properly identified and cared for.

"Sayonara"

I would like to thank the following sources:

Judy Shoaf , for so generously letting me use excerpts and pictures and photos from her wonderful website: How Japanese Dolls came to Europe and America: A "Prehistory" of Japanese Dolls in the West.

My deepest thanks to Alan Scott Pate, for allowing me to use the beautiful pictures from his site "Antique Japanese Dolls "depicting dolls from the EDO period, as well as very important data from the time frame and history of these dolls. Author of the two most authoritative works in English on antique Japanese dolls, (Ningyô: The Art of the Japanese Doll, Tuttle, 2005 and Japanese Dolls: The Fascinating World of Ningyô, Tuttle, 2008).

Thanks to "Antique Japanes Boy Textiles" http://www.kimonoboy.com